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She received numerous awards for The Phantom of the Opera designs, two Tony® Awards, two Outer Critics’ Circle Awards, two Drama Critics’ Awards, for Best Costume and Set. In 1990, Maria was awarded The Observer’s Experts’ Expert, the Theatre Designers’ Designer and in 1999, the 19th Franco Abbiati Prize. ®Maria Björnson is a registered trademark of the Prodan Romanian Cultural Foundation and is used under license. Photos by Matthew Murphy.Īll original designs and sketches by ®Maria Björnson Metallic brocade bodice and skirt, with ruffles, braid and jet décor.įrom left: Derrick Davis as The Phantom Emma Grimsley as Christine Daaé Phumzile Sojola as Ubaldo Piangi and Trista Moldovan as Carlotta Giudicelli. Just a little something to wear to the office, if you are an opera diva. Painted celastic armour with sculptural décor. Green brocade tunic with multicolor skirt and lattice fringe. The lead tenor of the Opéra Populaire, Ubaldo Piangi plays the role of Hannibal in the opera of the same name.
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Peach color silk taffeta, with contrast embroidery and brocade stomacher. Inspired by Spanish folklore style, this costume is worn by Christine in the opera of “Don Juan Triumphant” when she plays the character of “Zerlina” in Act 2. Silk faille waistcoat, shirt and silk bow tie. Two-piece tailsuit of woven patterned silk. For an elegant man of his time, after the sun goes down, this was normal attire. We invite you to enjoy a glimpse of the costumes that earned ®Maria Björnson a Tony Award for Best Costume Design, many of which are presently on display in the lobby of the Renaissance Hotel through November 5 before moving to The Buell Theatre during the production.ĭesigns by Maria Björnson® 1. In fact, each ballet dancer goes through a pair of toe shoes every two to three weeks. While beautiful and plentiful - with more than 1,200 costume pieces required for the production - they are also designed to withstand the demands of eight performances per week. And while there are many new elements in this presentation of The Phantom of the Opera, it is a testament to her expertise that this show incorporates most of her designs from the 1986 original production. You may be awed by the famous chandelier that brings down the Paris Opera House in The Phantom of the Opera, but it is upstaged night after night by ®Maria Björnson’s spectacular costumes. There are more than 1,200 costume pieces in the enduring Denver-bound production They move to The Buell Theatre when the show opens on November 6. Costumes from ‘The Phantom of the Opera’ are currently on display in the lobby of the Renaissance Denver Downtown City Center Hotel at 17th and Champa Streets.